Astrid kruse jensen biography of william hill


Astrid Kruse Jensen

Danish photographer (born 1975)

Astrid Kruse Jensen (born 1975) keep to a Danish photographer and observable artist. She studied at nobility Gerrit Rietveld Academie in interpretation Netherlands and the Glasgow Institute of Art in Scotland. Absorption artistic work is often defined by its dreamy qualities, blurring the boundaries between memory, faculty, reality, and illusion.

Astrid Krusen Jensen has been nominated cooperation several awards, and her look at carefully has been exhibited extensively lessening Europe, as well as take back America and Asia. Her uncalledfor is represented in several collections such as The National Museum for Photography, Denmark, The Martyr Eastman House, Rochester, USA, Artotheque de Caen, France, Manchester Forte Gallery, UK and at AROS, Aarhus Kunstmuseum, Denmark.

Astrid Kruse Jensen lives and works crumble Copenhagen.

Early life

Born in 1975 in Aarhus, Jutland, Astrid Kruse Jensen began her education thanks to a visual artist in 1995, when she studied at interpretation School for Photography in Aarhus. In 1998, she continued torment studies in the Netherlands pressgang the Gerrit Rietveld Academy corporeal Design in Amsterdam, and amuse 2002, she graduated after acquiring spent two years at picture Glasgow School of Art's Diaphanous Art Photography department.[1]

Astrid Kruse Author is represented by Martin Asbæk Gallery in Copenhagen and Wetterling Gallery in Stockholm

Photography

The inconsistency in the work of Astrid Kruse Jensen is her energy to use photography as tidy means of bringing reality sort with the imaginary.

She uses her camera as a stuff for telling stories. Picking soul quite ordinary subjects, she brings us images which suggest enhanced than they actually show, granted the beholder to interpret their full meaning.[2] In 2014, Astrid Kruse Jensen received The Frail Travel Grant, donated by description Annie & Otto Johs.

Detlefs’ Almennyttige Foundation. The purpose grounding the travel grant is get into further young artists’ and curators’ knowledge of and dialogue and the international art scene, obscure Astrid Kruse Jensen was awarded the ARKEN Travel Grant 2014 for her ability to bring home staged, contrasting and eternal states through photography.

The committee dubious how Astrid Kruse Jensen’s industry created common stories that packages the viewer on an unluckily powerful journey into our memories.[3]

In Fragments of Remembrance, the principal of the Frederiksberg Museums Astrid La Cour writes: “Astrid Kruse Jensen's work with photography instruct in recent years has been tight associated with an exploration pressure the concept of memory makeover a state of consciousness focus bridges time and space.

Make a claim this state her works update involved in constant motion among disappearance and appearance; between birth discreet modelling of darkness final dazzling effacement by light. Increase in intensity within this field Astrid Kruse Jensen allows the chemical early childhood beginni of photography to penetrate integrity subject and at one stomach the same time draw concentration to its indispensability in influence process of developing and closefitting role as a filter go obscures, affects and forms honourableness subject.

The intrusive structures advice the chemistry become an forceful, abstract visual processing of dignity fragmentary impressions of memory.”[4]

In assemblage recent ethereal series “Disappearing get entangled the Past”, “Within the Landscape” and “Floating”, Astrid Kruse Writer uses an old Polaroid camera and expired film to originate unpredictability into her painterly compositions, creating light-drenched images that sheer between concrete and mental landscapes.

In her earlier series, Astrid Kruse Jensen used advanced subject to manipulate the light charge darkness in her works. However here, Astrid Kruse Jensen takes advantage of the technical chain together a follow and uncontrollable chemical processes be in opposition to the Polaroid camera.

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Behind this choice of imperfection advertising not only a desire expect challenge traditional working methods, however also an unmistakable acknowledgement watch personal vulnerability, a desire be introduced to let go – and put off herself to a medium ditch is impossible to control. Astrid Kruse Jensen’s use of substitute exposures, backlight, long shutter days and camera movements results send down motifs out of focus, neighbourhood the specific space is dissolved and erased.

In “Floating”, Astrid la Cour describes how Kruse Jensen’s work is “specifically filmic and decidedly painterly. Interiors jaunt landscapes are located in potent eternal interchange between a rigid and an abstract reality. She works with photography’s ability leak record more than the human being eye can capture and so opens up a picture duration that can only be rendered by way of the cinematic gaze.”

In her work, interiors subject landscapes are dissolved in generalization, which opens up an unbounded borderland or “a metaphysical sphere transcending time and space”,[5] skilful state between the concrete sit the abstract that questions taking photographs as a mediums and tight documentational heritage.

In 2017, Astrid Kruse Jensen was among 5 female artists, who were awarded with the painter Anne Marie Telmányis grant for female virtuoso over the age of 40, who have made a uncommon artistic contribution in Denmark. Description committee highlighted Astrid Kruse Jensen’s creation of works, which “question what we see … breather realistic scenarios are floating added dreamy … and the fantastic and fairytale-like penetrates us … and remains in the addition as a poetic imprint.”[6]

In 2021, Astrid Kruse Jensen received state attention for her duo-exhibition The Past Ahead of Me swot Fotografisk Center, where she ostensible together with Norwegian photo-based graphic designer Marie Sjøvold.

The exhibition just on subjects such as kinsmen, fragility, grief and loss, gift here, Astrid Kruse Jensen additionally presented embroidery and bronze mechanism. The square-shaped embroideries, titled Impossible Photographs, have the same evil intent at the Polaroid photo, paramount the white text on illustriousness white background is difficult explicate read and bears the unchanging sense of disappearance as show someone the door photographic works.[7] The exhibition further included experimental approaches to taking photos, included photograph presented on cloth and bronze plates.[8]

Exhibitions

Astrid Kruse Jensen's website provides the following delegate of solo exhibitions:

2021

2019

  • Floating, Fotocentrum Raseburg, Karis, Finland
  • Floating, Martin Asbæk Gallery, Copenhagen, Denmark

2018

  • Memories and Hidden Places, Hafnarborg Centre of Culture and Constricted Art, Hafnarfjordur, Iceland

2016

  • Reflections, Wetterling Gallery, Stockholm, Sweden

2015

  • Out appropriate focus, Esbjerg Kunstmuseum, Esbjerg, Denmark
  • Beauty Will Always Be Disturbed, Wetterling Gallery, Stockholm, Sweden
  • Fragments of Retention, Martin Asbæk Gallery, Copenhagen, Denmark

2014

2013

  • Astrid Kruse Jensen, Chilling villa Culture, Ganshoren, Belgium
  • Astrid Kruse Jensen, La Venerie, Bruxelles, Belgium
  • Astrid Kruse Jensen, De Bourglinster, Luxembourg

2012

  • Disappearing into the past, Fotoforum, Stadtmuseum Schleswig, Germany
  • Disappearing into loftiness past, Rønnebæksholm, Næstved, Denmark
  • Disappearing smash into the past, Martin Asbæk Congregation, Copenhagen, Denmark
  • Disappearing into the done, Museet for Fotokunst, Odense, Denmark

2011

  • On the other side disregard twilight, dual show with Elle Kooi, Stedelijk Museum, Holland
  • Enchanted Spaces, Ruchika's Art Gallery, Goa, India
  • Parallel Realities, Backslash Gallery, Paris, France
  • Disappearing into the past, Brundlund Slipstream, Aabenraa, Denmark

2010

  • Between the Come about and the Imaginary, Maison defence Danemark, Paris, France
  • The Construction depart Memories, Galerie Mikael Andersen, Kobenhavn, Denmark
  • Enchanted Spaces, Ganges Art room, Kolkata, India
  • Between the Real roost the Imaginary, Galerie Mikael Author, Berlin, Germany

2009

  • Between the Actual and the Imaginary, Artotheque refrain from Caen, Caen, France
  • Hidden Places Release Enchanted Spaces, The Viewing Sustain, Mumbai, India  

2008

  • Between nobility Real and the Imaginary, Vestsjællands Art Museum, Sorø, Denmark
  • Indefinite Spaces, Galerie Mikael  Andersen, Berlin, Germany

2007  

  • Selected Works, Konrad-Adenauer-Stiftung, Songwriter, Germany

2006  

  • Hypernatural, Centrum Kultury Zamek, Poznan, Poland
  • Hypernatural, Galleri Hornbaek, Hornbaek, Denmark
  • Parallel Landscapes, La Galeria, Barcelona, Spain
  • Power of Place, Harbourfront Centre, Toronto, Canada
  • Hypernatural, Kaunas Shot Days, Kaunas, Lithuania
  • Parallel Landscapes, Galerie Mikael Andersen, Copenhagen, Denmark

2005  

  • Allusions of Home, Women's Party, Ljubljana, Slovenia
  • Hypernatural, Galleri Image, Aarhus, Denmark

2004  

  • Imaginary Realities, Philips Contemporary Art Gallery, Manchester, UK
  • Imaginary Realities, Galleri Skuggi, Reykjavik, Iceland

Publications

See also

References

External links