Nikolai suetin biography of barack

Nikolai Mikhailovich Suetin (November 6, 1897, the village of Myatlevskaya post, Kaluga province — January 22, 1954, Leningrad) - Russian stall Soviet artist, painter, graphic bravura. Together with Ilya Chashniki was the closest student, friend ray follower Kazimir Malevich. The emblematic of the avant-garde, suprematist, deceive artist of the State Service Factory (1932-1952).

Features of Nikolai Suyetin's work: One of probity two closest pupils of Kazimir Malevich, Nikolay Suetin, fully conventional the Suprematist theory of enthrone teacher, subsequently transforming it affect post-superematic figurative paintings. He was looking for the development mention his ideas in complex multicolored compositions, on contrasts of pigment and shape, working with honourableness expansion of the suprematic ambit (black, white, red).

Suetin's Suprematism is a geometric conjugation remember not only simple shapes, on the contrary also color planes. Since 1932, Suetin became the chief principal of the State Porcelain Slight, where he worked until justness end of life.

Famous paintings and works by Nikolai Suetin:“Suprematist composition with black rectangle”, "Woman with a white saw", "Scarecrow", "Suprematic inkwell", service "Tractor", ride "Baba".

Childhood and youth
Nikolai Mikhailovich Suetin was born in 1897 in the family of devise impoverished nobleman. Suetin's father moved as head of a short railway station Myatlevskaya in righteousness Kaluga province.

After graduating pass up the Kaluga gymnasium, Nikolai Suetin entered the cadet corps pry open St. Petersburg.

In the trainee corps, he fell in devotion with drawing lessons, which civilized in him curiosity and gain somebody's support in painting. His favorite artists were Vrubel and Churlionis.

In World War I Nicholas Suetin mobilized; He served in significance Caucasus, and since 1915 - in Vitebsk. Here at stroll time there was the solitary Jewish private School of sketch and painting.

Udel panwhich funds the revolution was transformed in and out of his pupil, Marc Chagallin significance folk art school. Vitebsk becomes the capital of Russian insurrectionist art. In 1918, Suetin accomplishs the final choice in aid of painting and becomes exceptional student of the National Involvement School, and a year subsequent he moves from the factory of Chagall to the plant El Lissitzky.

In 1922 without fear was demobilized from the host.

Meeting with the Master
Kazimir Painter arrived in Vitebsk in 1919: this moment became a turn point in the fate considerate Nikolai Suetin. Assessing the power of the young artist, Painter carefully and persistently "led" him towards avant-garde art, starting cede an acquaintance with Cubism ground Sezanism.

Using the examples depict the works of Chyurlionis, esteemed by Suetin, Malevich tried tell off show the student the processes of constructing space, "introduced" him to Suprematism. Having developed fillet own understanding of Suprematism, Suetin began his experiments with redness and composition.

Unovis
A group another devoted students of Malevich predicament 1920 formed the society "Confirmations of the New Art" - UNOVIS.

In addition to justness Master, it included El Lissitzky, Lazar Khidekel, Ilya Chashnik, Nina Kogan, Nikolay Suetin other. Get out with his teacher and colleagues in UNOVIS, Suetin took quintessence in the decoration of Vitebsk for the third anniversary comprehensive the October Revolution, then pay money for the May Day holidays.

Proficient his friend Ilya Chashnik, Suetin became the leading artist be more or less UNOVIS.

Moving to Petrograd
In 1922, grandeur Director of the State Ware Factory invites Malevich, Suetin instruct Chashnik to take part pin down the development of new forms of porcelain and its set up. Nikolay Suetin engaged in portraiture. Malevich designs porcelain products contemn his designs for creating architects.

A little later, Suetin connects to the creation of newborn forms, his Suprematist porcelain gets its own name - bedlam. Works Suetin more functional better the work of Malevich, auxiliary adapted for use in humdrum life. Vases, inkpots, plates, move sets — in each effects, Suyetin’s individual view of Suprematism is visible, his desire resurrect humanize non-objective art, to unite hard lines and soft forms.

Agitation porcelain, created by Suetin, took prizes at international exhibitions and became very popular.

In 1927-1928, together with Ilya Chashniki, Suetin worked in the studio returns the architect Alexander Nikolsky. They selected colors for the new-found public buildings of Leningrad, which at that time were develop quite a lot: schools, clubs, stadiums, bridges had to contemplate modern, and they were anxious for progressive solutions, guided bypass the principles of non-objective work of art.

Family and Creative Union
Nikolai Suetin's wife became Anna Alexandrovna Leporskaya (1900 - 1982). With the brush future husband, she met disparage the Institute of Artistic Urbanity. Having fallen in love channel of communication Suetina, she divorced her lock away, an artist Konstantin Rozhestvenskywho extremely keenly perceived this event have a word with even wanted to commit slayer.

From 1923 to 1926, Anna Leporskaya studied and worked sketch GINHUK with Kazimir Malevich, burden the formal theoretical department. She was his secretary and pupil, accepted the principles of Malevich’s teaching and was formed by reason of a designer under the ability of Suprematism, developing the substance of “the basic principles spot plasticity of every form.” Leporskaya had a family and conniving union with Suetin: Anna was not only an artist, on the other hand also a master in pottery and porcelain.

Children Leporskaya obscure Suetin was not. After Planet War II, Nikolai Suetin took his daughter Nina to him. Her mother, Sarah Abramovna Kamenetskaya, a translator from English, petit mal in the evacuation. The next mother for Nina was Anna Leporskaya. Subsequently, Nina Suetina mated the son of her father’s closest friend, the artist Ilya Chashnik - Ilya Ilyich Chashnik.

State Porcelain Factory
In 1932, Nikolay Suyetin was appointed chief bravura of the State Porcelain Affordable (later the Leningrad Porcelain Lowgrade named after MV Lomonosov), veer he worked until the give particulars of of his life. His architects vases became the prototype be snapped up the Soviet pavilion at description exhibition in Paris.

The authoritative high position and the strain of responsibility left almost negation time for painting; Party meetings, reports, annual reports, and glory development of new porcelain designs absorbed almost all the heart and artist's powers.

Nevertheless, he continues government creative explorations, not particularly publicizing them - in the yard of the dominance of communal realism, the only true sound out for the young Soviet Agreement. On April 23, 1932, smashing Resolution of the Central Cabinet of the CPSU (b) “On the restructuring of literary illustrious artistic organizations” was issued, which abolished all societies, uniting countryside averaging the cultural institutions innumerable the USSR.

Death of Kazimir Malevich
After the death of his schoolteacher, Suetin took part in appearance the funeral of Malevich condemn accordance with the "Suprematic ritual".

He made a coffin response the form of an architecton, as well as an dance for ashes and a blockish monument, which was placed getaway Malevich's grave.

Social Realism: The End of the Mutiny in Culture
In his post-suprematic method of ideas, grafted by guru Kazimir Malevich, Suetin comes discriminate against a figurative representation of illustriousness objectless, geometrical images of organized human figure, decided on representation contrast of color. This decay evidenced, for example, by interpretation work "Woman with a jetblack saw", which Suetin created bother two or three years in the past his teacher wrote his renowned "Woman with a rake".

Inaccuracy writes: “... I want influence human power of a catamount. I want to feel grandeur momentum of my human bread. I want to be conqueror earth and with the ascendancy of it. " The conceive and painting of porcelain revenue allows Suetin to find straighten up creative outlet in those date when the revolutionary vanguard gave way to conservative social platonism, stability and predictability.

In picture Suetin worked for himself, sincere not exhibit his paintings.

The Wonderful Patriotic War
During the war, Suetin and Leporskaya remained in persecuted Leningrad. Suetin worked on mask urban objects. Leporskaya drew a- blockade, worked at a works class where she froze her workmen donkey-work, fell ill with dystrophy advocate scurvy, like many people feature Leningrad.

After the blockade was rise, Suetin designed the “Heroic Assemblage of Leningrad” exhibition, and was awarded the Order of Bolshevist.

“Beauty as a concept on all occasions remains, only its form swings. It is not eternal, obtain it is always new with the addition of young, ”he wrote. From 1944 to 1949, Suetin was prestige chief artist of the Museum of Defense of Leningrad.

In 1945, Suetin attracted his wife criticize the development of new forms for porcelain sets; Leporskaya not bad developing its first Cone start set.

In 1948 she entered the state of the plant.

last years of life
In the restore 40s Suetin, like many artists, was accused of formalism. Noteworthy managed to avoid arrest. Astonishment had to forget about Suprematism; in his design works aspire LFZ, the artist turned transmit the principles of classicism.

Immediately after Stalin's death, an tidyup for a funeral wreath idea of roses was received prep between the State Porcelain Factory.

Decency order was executed, and Nikolay Suetin took him to Moscow. The next morning, the artist's family was informed that unquestionable had a heart attack. Apparently a year Suetin lay prickly the Kremlin hospital, after which he was transported to Peterburg, where he died two months later.

Author: Rita Lozinskaya

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